Posts Tagged ‘fingerstyle guitar’

12 Fret Acoustic Guitars For Fingerstyle

Thursday, September 23rd, 2010

All guitars used to be 12 fret style.

Classical guitars have maintained quality tonal characteristics with the 12 fret concept.

Think about the classical guitarist.

The orchestrations are often meant to be played without accompaniment.

Classical music demanded and received instruments designed to produce optimum tone.

The classical guitar was engineered for maximum tonal reponsiveness.

Guitars became more prevalent in the bands and orchestras of the 1920s as musical styles evolved.

As popular music became infused with jazz the solo musician began to step forward in bands and orchestras.

The guitarist found the magic zone on the upper frets.

The repsonse of the luthier was a guitar with 14 frets above the body.

After “Muddy Waters invented electricity,” the guitar player began to step into the spot light.

  Eventually electric guitars with double cut aways would solve the upper fretboard access problems.

The luthier complied with the guitarists request for access to the upper fret board by designing a cut away in the lower bout of the body.

Why does there seem to be a renewed interest in acoustic 12 fret guitars?

Guitar makers are now experimenting with the original concept and the musicians are requesting 12 fret guitars.

There are few 14 fret nylon string acoustic guitars.

Luthier and musician always strive  for a mo betta sound which sometimes means going back to the roots.

One of the newer concepts being seen in the 12 fret guitar is the cut away.

The sound of the 12 fret and the playability of the 14 fret are combined together.

The acoustic 12 fret design answers the fingerstyle artists search for the balanced sound.

Fingerstyle guitar players appreciate the wider neck found on most 12 fret instruments.

The necks are commonly 1 3/4 inches at the top of the neck.

Extra wide necks are the rule for classical guitars.

 

Any way you look at it the acoustic 12 fret guitar is here to stay.

 

For Fingerstyle Guitarists, The Martin OMC-28E Acoustic Electric

Tuesday, September 14th, 2010

The Martin OMC-28E has an orchestra model body. 1929 was the year this model answered requests for a 14 fret gutiar. That first Ochestra Model was the inspiration for the design of most of the flat top acoustics found today. The singular difference between an OM and a dreadnought is that the OM is slightly smaller. The smaller body size balances out the sound from low register to high. The bottom, mids, and highs are more evenly pronounced.
This means instrumentals will sound better on an OM guitar.

The quality of the tonewoods used in the Martin OMC-28E greatly contribute to it’s appearance and performance. Luthiers prefer solid woods over laminated woods because of the way the sound vibration from the strings is transmitted. Solid Sitka Spruce makes up the top. Historically steel string guitars have been crafted with spruce sound boards.
The size and availability of the timber makes Sitka Spruce the number one choice for sound boards.

The OMC-28E uses solid East Indian Rosewood for the back and sides. Tonewoods are chosen for use in the back and sides of an instrument according to how they resonate with the sound board. Rosewood is as pleasing to the eye as it is to the ear.

The Martin OMC-28E fingerboard is solid Black Ebony. The 25 4/10 inch scale meets the headstock at a 1 3/4inch nut. This is something that might matter to the fingerstyle player.
The wider nut width allows those wild flaying digits a little extra work space. The C in OMC stands for cut away, one of which you will find on the upper bout of the guitar, which allows access to the upper register or high notes.

The OMC-28E comes with the Fishman Elipse Aura on board pickup system.
The historic Martin guitar contruction meets with space age technology here. The sound of the guitar is acurately amplified by the Elipse Aura.
Assorted acoustic images can be applied to the on board sound system through the USB port. The on board panel allows the control of volume, phase switching, pickup-image blend, and anti-feedback.

The Martin OMC-28E is a limited production, stage ready, fingerstyle friendly guitar that will not disappoint.

 

 

Can An Acoustic Guitar Make Sound If No One Is There To Listen?

Saturday, September 11th, 2010

There is another side of acoustic guitar buying that I seldom hear discussed. This may be the mystical tendency.
I have come to believe that the artist leaves some of his spirit in his artwork, in this case the guitar.  Sometimes you can feel the vibe of an instrument while it is sitting on the stand, or hanging on the while even before you pick it up for the first time. An instrument made by a life in gloom and dispair will have that could of deppression hanging over it for ever!” Might be a good choice if your strictly into the blues. A guitar born of the heart will live heartily.

A guitar coming from an assembly line can still have spirit. There is not a guitar anywhere that was not first a thought in a mind. The guitar was crafted from exotic woods grown in exotic lands. How many years of sunshine and rain are stored in that dreadnought or solid body? Perhaps hundreds of men and women around the world helped to get that guitar to you? If many of us were investigated we would be found guilty of choosing a nice guitar store over an exibition by dead Van-whoever. OK, I do enjoy looking at dead Van’s work but give me a well stocked guitar gallery any day.

I remember a time when I stopped into a guitar store in our town.  I had about $400 in my pocket and was ready to buy a guitar. I had my mind set on a Takamine guitar. I had visited this guitar many times before. I liked the looks, the sound, and the feel of this instrument but I was somehow not satisfied with it. As perfect as it seemed to be it was leaving me a little disappointed somehow. the Takamine was not with me when I left the guitar display and made my way to the exit. I was almost out of the store when I had a feeling that I should return to the used guitar department. I had been over there about 20 minutes earlier. I had seen an electric but did not change my mind about wanting an acoustic.
When I returned to the used instrument department I was immediately aware of a beautiful sunburst Crafter. I had always thought of Crafters as kind of cheap guitars. This instrument was visually appealing. I picked it up and it was love at first strum. I made that guitar mine. I am certain that guitar sent a vibration to my mind.
I admit it, the guitar resonated with me before I saw it. It may appear that I am one of those meditating chi sniffing new age sort of people.

You can call it Zen, Synchronicity, or dumb luck, or you can call it what ever. I personally believe music is a spiritual device and the whole process can be as deep as you want to go. Even while shopping for a fingerstyle  acoustic guitar.Happy fingerstyle guitar hunting!

The Fingerstyle Guitar, What Is It?

Saturday, September 11th, 2010

The way that the instrument is played by the musician is called Fingerstyle Guitar. The term fingerstyle describes a way of playing the guitar with out using a pick. It is a style of playing the guitar.
A guitar player might use all of the fingers on the right hand when playing fingerstyle. Using a pick is still the preferred method amongst gutiarists to sound the strings. Fingerstyle music can sound like a full band with several parts playing at once. You can play fingerstyle on any guitar but some are more preferable to to the design specifications.  A fingerstyle guitar is usually but not always an
acoustic guitar. Electric fingerpicking was made famous by the late Chet Atkins. You will most often find steel strings used in music that is not classical.

Fingerstyle Guitar is often used as accompaniment for singing which makes it a popular form with folk, blues, country and pop singers because it works well for the solo artist that does not travel with a band.Jazz, smooth jazz, and new age music are all perfect for fingerstyle guitar playing. Classical guitarists have been playing solo instrumental music for centuries.

This brings us back to the question of the fingerstyle guitar itself. The instrument that would always qualify as fingerstyle is the classical guitar. This guitar was crafted to be played with fingers. The classical instrument  has always been a nylon string (or cat gut before there was nylon) acoustic guitar. You can find a nylon string electric classical guitar being manufactured these days. Guitar crafters would use special exotic woods to make a classical insturment resonate from the fingerstyle playing. The neck is often much wider than that of a steel string guitars so that the artists picking fingers can grab
individual strings. Instruments made for playing classical music will often have a nut width of 2 1/2 inches. Many guitars that are made for steel strings have a nut width of 1 3/4 inches if it is meant for fingerstyle. The most common nut width on steel string guitars is 1 11/16 inches. You need to understand that there are no hard and fast rules to guitar construction for fingerstyle players. Hopefully this has given the reader an idea as to what constitutes a fingerstyle acoustic guitar.

 

 

Acoustic Blues Fingerstyle Guitarist Jorma Kaukonen And His Martin Signature Edition

Friday, September 3rd, 2010

The spirit of an acoustic fingerstyle blues master is reflected in The M-30 Jorma Kaukonen Custom Artist Edition from CF Martin.
Jorma Kaukonen started his career as an acoustic fingerstyle blues player then became known for his skills on the electric. You may have heard of Jefferson Airplane who flew straight out the of Haight-Ashbury district in San Francisco as part of the vanguard of the psychedelic  movement. Jorma and fellow blues
buddy, bassist Jack Cassidy, were the backbone of Jefferson Airplane, infusing blues roots into the  60’s music scene. Before he joined the Jefferson Airplane, acoustic fingerstyle blues was Kaukonen’s only interest. The possibilities that guitar amplifiers and effects provided for the musician captured his attention. He immersed himself in the new art form. Jorma turned on the power and took it to the people.

the second collecton of songs from the Airplane was called Surrealistic Pillow. Among the most memorable songs in comtemporary music history, two of them, White Rabbit and Embryonic Journey came from that album. Jorma blended his acoustic fingerstyle skills with his feel for the psychedelic direction of the contemporary music scene and wrote Embryonic Journey. Jefferson Airplane tours
would often include performances by Jorma and Jack’s side project, Hot Tuna. Hot Tuna was a band based totally on Mr Kaukonen’s love for acoustic
fingerstyle blues. The guitar technique of Rev Gary Davis became his inspiration in the early years and remain a part of his performance. Hot Tuna comes in two flavors; acoustic and electric. Sometimes the whole band would be on stage first as Hot Tuna then as Jefferson Airplane.

When his run with Jefferson Airplane was over Jorma returned to his roots. Fingerstyle blues guitar. He started Fur Peace Ranch
where aspiring and veteran musicians can get together and share in the love of the art of the guitar. His interest and love of Martin guitars
inspired the guitar manufacture to build an instrument to Mr Kaukonen’s specifications. He wanted the wider 1 and 3/4 inch neck with a solid spruce
top and mahogany back and sides. Jorma requested a larger sound hole to enhance mid range and treble which is preferred amongst acoustic fingerstyle
guitar players. As a life accomplishment Jorma Kaukonen has successfully blended acoustic fingerstyle blues with rock and roll. The M-30 Jorma Kaukonen Custom Artist
Edition  Fingerstyle Acoustic Guitar will be a legacy to that life.

I feel compelled to mention that Hot Tuna is still performing and will be on stage in 2010 this coming December celebrating Jorma Kaukonen’s 70th
birthday. 70 years old and still on stage with a guitar doing what he loves. Jorma Kaukonen you have changed the world with your music!