Posts Tagged ‘interior design’

Make Your Walls Pop with Wall Sculptures

Thursday, May 6th, 2010

I had been to a friend’s house recently and, although I don’t usually take note of such things, I became interested in his room decoration. The style was something he described as steam punk, a type of futuristic Victorian, which seemed like it came directly from Jules Verne, a kind of Captain Nemo meets Robur the Conqueror, all shining brass, leather, futuristic technologies, and clockwork. My friend’s variation was much more ‘Indiana Jones’, with his steamer trunk table, assortment of fascinating artifacts, sculpture and interesting ancient wall reliefs.  It went along with his home, originally built in the 1920’s and created a comfortable, interesting inside well suited to his large collection of books.

My home is instead more modern, so when I pondered options for furnishing my living area (something I had been advised was ‘up to me’) I turned down the steam punk idea. While I’m no interior designer I can see that a certain harmony between interior and outside is beneficial. Although modern day homes are usually roomy they may be really bland, then i realized this gave me more range to be able to put my character on the room, and that notion gave me the concept to make use of wall art and wall sculptures to provide my room some personality, but what would work best?

Old Greek structures weren’t what we understand today. Many people understand that they are wonderful structures which were standing, in many cases for centuries, before suffering deterioration we know now, but do you  realize that they had been multi-colored?  You wouldn’t think so to examine the remains in a museum. I used to eat my lunch while admiring the huge Assyrians gateways in the British Museum in London,  just near room 18, the home of the ‘Elgin marbles’. These famous sculptures were stripped away from the Parthenon in the initial years of the 19th century by the Earl of Elgin,  and the Greek government is still seeking to get them back again.  The sculptures are stark, white and intensely beautiful, precisely what we think of when we consider ‘classical art’ yet what might the ancients have thought of these? Euripides provide us with a hint in his play ‘Helen of Troy’ when Helen says ‘If only I could shed my beauty and assume an uglier aspect, the way you wipe paint off a statue’. Those stunning marble statues in their sparkling white were once bright and multi-colored. So totally different from what we observe today and connect with the ancient world, it’s truly difficult to picture.

We look at the ancient gods as abstract, consequently historical wall sculptures like Poseidon in his chariot are ‘classical’ and completely at home in the modern room. It was only at the Renaissance that, finding ancient statues stripped of their color by time, the sculptors thought they’d originally been white marble, and attempted to emulate them.   In antiquity the Greeks believed in living breathing Gods;their statues were colored brightly to echo that. While we enjoy the incredible workmanship of the Parthenon sculptures the ancients adored their realistic quality so much so it had been said that at certain times during the day it was as if the gods in their friezes actually moved. The sculpture and painting techniques had been designed to bond and enhance the three dimensional quality of the stone, bringing the subject alive. Archaeologist Vinzenz Brinkmann is working hard to analyse ancient statues and build authentic reproductions. These, complete with intricate paint techniques and colors are as close as it can be to those used in ancient times and the final results are intriguing; the ancient world won’t ever appear the same again.

So what should I do? I could choose time-honored Greek wall art and create a modern room, making my personal choice on the basis of symbolism. Hercules wrestling the lion might remind me that even if my todo list is often a bit lengthy, it isn’t the Labours of Hercules, whereas Dionysus on a donkey would certainly point out to me the point of work is to pay for the pleasure in the future. As an inhabitant of the ” new world ” I could turn to Mayan wall reliefs, but I think my choice could be more ancient still. From Ramses who drove out the Hittites at the Battle of Kadesh, to the thought of Maat,  goddess of justice and order, the wall sculptures of the Ancient Egyptians carry a limitless fascination. We’re much more familiar with color in relation to Egypt, and hence see these more as they really were, vibrant and remarkable in the desert sunlight.

For my Den the main options are obvious; Thoth, the god of writing and wisdom, to help keep me right at all times!

Make Your Walls Pop with Wall Sculptures

Saturday, May 1st, 2010

I had been to a friend’s house recently and, although I don’t usually take note of such things, I became interested in his room decoration. The style was something he described as steam punk, a type of futuristic Victorian, which seemed like it came directly from Jules Verne, a kind of Captain Nemo meets Robur the Conqueror, all shining brass, leather, futuristic technologies, and clockwork. My friend’s variation was much more ‘Indiana Jones’, with his steamer trunk table, assortment of fascinating artifacts, sculpture and interesting ancient wall reliefs.  It went along with his home, originally built in the 1920’s and created a comfortable, interesting inside well suited to his large collection of books.

My home is instead more modern, so when I pondered options for furnishing my living area (something I had been advised was ‘up to me’) I turned down the steam punk idea. While I’m no interior designer I can see that a certain harmony between interior and outside is beneficial. Although modern day homes are usually roomy they may be really bland, then i realized this gave me more range to be able to put my character on the room, and that notion gave me the concept to make use of wall art and wall sculptures to provide my room some personality, but what would work best?

Old Greek structures weren’t what we understand today. Many people understand that they are wonderful structures which were standing, in many cases for centuries, before suffering deterioration we know now, but do you  realize that they had been multi-colored?  You wouldn’t think so to examine the remains in a museum. I used to eat my lunch while admiring the huge Assyrians gateways in the British Museum in London,  just near room 18, the home of the ‘Elgin marbles’. These famous sculptures were stripped away from the Parthenon in the initial years of the 19th century by the Earl of Elgin,  and the Greek government is still seeking to get them back again.  The sculptures are stark, white and intensely beautiful, precisely what we think of when we consider ‘classical art’ yet what might the ancients have thought of these? Euripides provide us with a hint in his play ‘Helen of Troy’ when Helen says ‘If only I could shed my beauty and assume an uglier aspect, the way you wipe paint off a statue’. Those stunning marble statues in their sparkling white were once bright and multi-colored. So totally different from what we observe today and connect with the ancient world, it’s truly difficult to picture.

We look at the ancient gods as abstract, consequently historical wall sculptures like Poseidon in his chariot are ‘classical’ and completely at home in the modern room. It was only at the Renaissance that, finding ancient statues stripped of their color by time, the sculptors thought they’d originally been white marble, and attempted to emulate them.   In antiquity the Greeks believed in living breathing Gods;their statues were colored brightly to echo that. While we enjoy the incredible workmanship of the Parthenon sculptures the ancients adored their realistic quality so much so it had been said that at certain times during the day it was as if the gods in their friezes actually moved. The sculpture and painting techniques had been designed to bond and enhance the three dimensional quality of the stone, bringing the subject alive. Archaeologist Vinzenz Brinkmann is working hard to analyse ancient statues and build authentic reproductions. These, complete with intricate paint techniques and colors are as close as it can be to those used in ancient times and the final results are intriguing; the ancient world won’t ever appear the same again.

So what should I do? I could choose time-honored Greek wall art and create a modern room, making my personal choice on the basis of symbolism. Hercules wrestling the lion might remind me that even if my todo list is often a bit lengthy, it isn’t the Labours of Hercules, whereas Dionysus on a donkey would certainly point out to me the point of work is to pay for the pleasure in the future. As an inhabitant of the ” new world ” I could turn to Mayan wall reliefs, but I think my choice could be more ancient still. From Ramses who drove out the Hittites at the Battle of Kadesh, to the thought of Maat,  goddess of justice and order, the wall sculptures of the Ancient Egyptians carry a limitless fascination. We’re much more familiar with color in relation to Egypt, and hence see these more as they really were, vibrant and remarkable in the desert sunlight.

For my Den the main options are obvious; Thoth, the god of writing and wisdom, to help keep me right at all times!

Give your Space the Special Touch with Photos

Tuesday, September 29th, 2009

In most interiors art photographs are brought in as the finishing touch.
It’s one of the elements that can instantly warm up a space and make it feel like home.
Photographs can expand a space both visually and emotionally, give us a window to the world, bring interest and color to the wall spaces, and generally liven up the place.
Here’s concise hints how to arrange photographs in a room.
In general, photographs should be hung so that the center point of the photograph or grouping is at about eye level for the average person. While this won’t be possible in every situation,
it’s a good guideline to keep in mind.

Size and Grouping
• Relate photograph to wall size. Choose smaller pictures for narrow walls and larger works for big wall spaces.
• Relate photograph to furniture size. When hanging a framed photograph over a piece of furniture it should not be longer than the width of the furniture.
• Don’t hang the photographs too close to each other or you will end up with a cluttered look. Don’t hang them too far apart or you’ll lose that unified look.
• Proper use of line can set the mood in a room:
- Strong horizontal lines in photograph, or in the way it is hung, tend to be calming and can give the illusion of width in a narrow room.
- Strong vertical lines in a photograph or in the arrangement on the wall add to the feeling of height in a room.
- Strong diagonal lines either within a photograph itself or in a line of photographs arranged on the wall add drama and excitement.
Photographs can be arranged symmetrically or asymmetrically for creating either a formal or a casual feeling. Symmetry adds balance and formality to an arrangement and is generally pleasing and calming to the observer.
• A grouping of photographs should be thought of as one unit.
• One large photograph makes a statement and keeps things simple.
• A number of photographs framed in one mat and frame will have more impact.

Themes
• Support your room theme with photographs, repeating the colors, motifs, and style of the room’s interior.
Landscape photographs proves to be useful in visually opening up a smaller space. The view of a distant horizon acts as a sort of window.

Color
• Vibrant colors bring excitement to a room, neutral colors are more calming.
• Photographs will have greater impact if matted in a contrasting color to the wall. What proves best is a dark mat for a light wall and a light mat for a dark wall.

Framing
Selection of frame colors and styles should be done keeping in mind the style of your home.
Using the same mat and frame will create harmony among a set of photographs.

Lighting
• Illuminate photographs well. If it’s not well lit, It can be lost.
One can use a picture light, track lighting or recessed lighting, all of which depends on a given place.

Hanging
• Hang photographs securely. Rate picture hooks for the weight of the framed photograph.

Care of Photographs
• Never hang photograph in direct sunlight: it can fade.
• Never hang photograph above a working fireplace.
• Never hang photograph on an exterior wall without adequate insulation: it can dampen.
• Maintain a constant room temperature and humidity.
Only acid-free mat boards and adhesives must be used, or else there will be yellowing.

This article is support by Puerto Rico Wedding Photographer