Posts Tagged ‘photography basics’

Understanding How To Use Contrast In Photography

Wednesday, September 1st, 2010

When learning photography, you’ll discover there are lots of different elements that make an photograph appear the way it does. Framing, exposure, film speed, camera quality, printing method and even the type of frame (like a gallery picture frame) all of these have a say in your final product. Contrast is one of the easist elements to manipulate in photography and also one of the most important. When used properly, contrast can take your pictures to a whole new level.

Put simply, contrast is the difference between the lights and darks in your images. In terms or black and white photography, high contrast prints have very dark black and super bright whites with no shades in between, while low contrast images will have more grey. In color photographs, contrast can be used to describe the intensity of the colors and how they stand out in relation to each other. While theres no perfect level of contrast, a good rule of thumb is to try and create images that have pure black, pure white, and every shade in between. However, this is more challenging than it sounds!

Different Degrees of Contrast
As a photographer, youll probably find a set amount of contrast that works for you. Some prefer high contrast, some prefer low, but remember that its all about what works for you. As long as your pictures tell the story you want to share, there is no right or wrong answer.

If you want to see some examples of excellent normal contrast just look at the work by Ansel Adams. His landscape photographs in black and white cover every base possible in terms of greys, blacks, and whites, and are quite powerful because of it. No wonder Ansel Adams images are so frequently seen framed in simple black picture frames in homes and offices - as the contrast black and white tones are exquisite. As an example of high contrast, films like Sin City and The Spirit used high contrast imagery to tell their story.

Adjusting Contrast
There are a few things you can do to adjust the contrast of your images. Different types of film or digital camera settings will give your pictures different amounts of contrast. For example, slide film has a high contrast ratio compared to regular film. You can also increase the time your film develops or “push” your film so that your images will have more contrast. Be careful not to over-develop your film; while you can always make new prints your actual shot film is irreplaceable and cannot be fixed after you break it.

In the darkroom, you can apply a filter to your enlarger to change the contrast of your images. A #1 filter wil be a slight contrast increase, whereas a #4 filter will significantly increase the contrast level in your print. If youre using digital, most photo editing software has a contrast option built in that will allow you to mimic darkroom filters and adjustments for similar results. Contrast is infinite in the options it can provide so take it to the limit and then take it one more step just to see what happens.

Contrast can also change what your viewers look at in your photograph. It can help better define important parts of a picture and creates a better final product when it is present in the right levels. The right (or wrong type) of picture frame can also impact how the viewer looks at your picture so make sure to stick with a frame that has simple clean lines and avoid highly decorative, beaded or jeweled picture frames.

Use the “pure white, pure black” rule in every picture and you’ll see a huge difference in the prints you will produce. Once you figure out what level of contrast works, youll begin to see contrast in the real world and be better prepared to shoot it. As always, the best way to get better is to shoot, shoot, shoot!

Eight Benefits of Why You Should Learn Photography

Tuesday, March 23rd, 2010

So you’re interested in learning photography - congratulations! Photography is a wonderful practical hobby as well as an exciting career opportunity. Learning photography takes a little bit of patience but in the end it’s all worth it. Let’s start with the reasons why you should learn photography:

  • The chance to capture special events like a special birthday or the family vacation with clear, well composed pictures.
  • Never missing another “Kodak moment” while searching for the right dial or button.
  • The chance to take beautiful photos that you and your loved ones can enjoy displaying on a table top or framed on the wall.
  • Communicating through your photographs. A picture really is worth a thousand words (especially if you put it in a beautiful jeweled picture frame)! You can catch a look that says it all. Or as we’ve seen in countless magazines like Time and National Geographic, you can take pictures that educate and enlighten on just about any topic. You don’t have to be a professional photographer in order to take some great pictures.
  • The ability to take a portrait in a home or outdoor setting that lets you capture the beauty of a loved one and make them want to see the portrait framed on a wall instead of sitting on the bottom of a box.
  • Excitement! With a good telephoto lens you can take exciting images of wildlife and weather phenomena while still being a safe distance away. Picture your friends reactions when they see your photographs beautifully framed on your wall.
  • Fun! It’s fun taking pictures of people and special things we love. It’s even more fun to take them after learning a few skills!
  • Fame and Fortune! Many a hobbyist photographer has gone on to win ribbons, awards and make money by selling their prints online with or without frames. Others sell downloads at microstock photo sites like iStock. Some take pet portraits of their neighbors’ pets, and eventually start a business from there. Others become wedding photographers or get jobs working as photographers.

You may have even thought of some benefits that weren’t listed here. As mentioned the rewards of photography are many. To get started taking pictures, all you need is a good (not expensive) camera and a few basic skills and you’ll be well on your way.

5 Photography Tips for Taking Portraits

Wednesday, March 3rd, 2010

There are some very good reasons to learn how to take family portraits, and you don’t have to be embarking on a photography career to do so. Having portraits taken professionally can sometimes be too expensive for many families. And sometimes, it can be impossible to get everyone to the studio at the appointed time.

Every family deserves to have at least one good family portrait displayed together with a nice picture frame. But, it’s even better to have additional portraits taken as the family grows and ages. If you are a photography hobbyist you probably know others who would love to have you take their family portraits, but don’t forget your own family! If you are taking a portrait of your own family, make sure to be in it too! So be sure to use a camera with a remote shutter button release and a timer.

If you are new to photography learning how to take family portraits will also give you the opportunity to learn and practice other skills, such as taking that group picture at Thanksgiving or a team picture after the game.

Without further ado, here are some tips to help you get started taking memorable family portraits, whether formal or informal.

1) Avoid the “Police Line Up” Portrait – Instead of lining everyone up shoulder to shoulder, try a more natural arrangement that also makes it easier to to fit a bunch of people into one picture.

Staggering is one technique that works well for group photos. For example, you might stagger the family members on the front steps of a porch or on and around boulders near a pond, with some family members standing and others sitting. If in a park, two siblings might sit on a low hanging branch of a tree or all could sit on the lawn clustered together. Show family closeness by spacing members close together. And by staggering the group, it will make it easier to display the picture in a 8×10 picture frame or even something larger like a 11×14 picture frame.

2) Show Relationships – You can do this with placement in the family portrait poses. For example, Grandma and Grandpa might stand next to each, a toddler could be in Mother’s arms, two siblings might have arms slung over each others shoulders, etc.

3) Consider Including the Family Pets – assuming they hold still long enough. Even if the pet is sitting still, you may want to raise the Shutter Speed Priority to 1/125 because the flick of a tail or other tiny movement can cause blur. It is much easier to take a portrait of an individual with a pet or a pet separately, but if the family has a mellow dog or cat, try some family portrait poses with and without.

4) Get Creative with Props – depending upon the type of portrait you want. Does the family do any activities or sports like community baseball? Each family member could hold a mitt, ball or bat. This is popular for individual portraiture that works well for family portraits too.

5) Get Everyone Smiling – Instead of just having them say “cheese,” put them at ease by talking to them so they’ll become more relaxed and real. When you’ve got the smiles and pose, ask the family to hold them until you give the signal that your camera’s got the shot.

Finally, have fun taking lots of pictures so the family can choose their favorite. You’re sure to get some keepers where the family will feel proud to frame them for all to see.

Photography Basics: Understanding Aperture

Sunday, February 28th, 2010

Aperture and other technical photography basics can induce yawns in the most eager of budding shutterbugs, but once these basics are understood, the rest of photography easily comes into focus. Aperture, ISO and shutter speed are all important terms to know, whether you have a point-and-shoot or a professional camera. This article explains aperture and provides tips for using it to create better photographs so you’ll be proud to display them in a wall picture frame.

To better understand aperture, think about how the irises of your eyes get bigger and smaller to allow more or less light into the pupil. Like your irises, the camera’s lens diaphragm widens and narrows to let in more or less light. Thus, the aperture dictates the exposure (the darkness or brightness) of the photo. The aperture also has another important function which we’ll look at shortly.

“Aperture” refers to the size of this opening and is measured in F stops. The smaller the F stop, the wider the aperture. This is why it can be confusing. Actually the F stop numbers are ratios, which is why the bigger the F Stop number, the smaller the size of the aperture.

Besides controlling light, aperture controls depth of field. To better understand this, make a fist and hold it in front of your eye. Now slowly open your hand. See how the focus changes? Sure you can see more through the larger opening, but notice how when the opening in your fist was small, everything that you could see was equally in focus? Try it again and see how when you open your fist, the object closest to you will come into focus while objects further away will be fuzzy. This is how aperture determines depth of field, that is how much of a photograph is focused.

If you are shooting in Auto Focus (AF), the camera will attempt to focus on what it perceives to be the main subject of the photograph, but the results may not be what you want.

For this reason, many cameras have an Aperture Priority setting to help eliminate this problem. This allows you to set the aperture and then it automatically adjusts the shutter speed to compensate for the aperture. For example, if you set the aperture for a landscape, this narrows it, thus letting in less light. The camera would then automatically increase the amount of time the shutter stays open so that your photo isn’t underexposed or too dark. Aperture Priority isn’t exact, but this is how it usually works.

Now if you have an SLR and are shooting in manual mode, you can adjust the aperture and shutter speeds separately.

Most will have a camera with preset modes such as landscape, sports or portrait. When the mode is set to landscape, the aperture automatically narrows to bring everything into focus. At the same time, the shutter speed automatically slows down, leaving the shutter open longer to offset the smaller amount of light coming through the lens diaphragm.

When you switch to portrait mode and focus on someone in front of you with the landscape in the background, the camera will make your subject in focus and make them stand out from the background. And it will speed up the shutter speed so the photo isn’t overexposed by the extra light allowed in with the larger aperture.

Remember: the smaller the aperture, the greater the F stop number (because it represents a ratio not a whole number) and the greater the depth of field.

Understanding photo basics like aperture is super important for using manual settings or aperture priority but also helps those using preset modes as well. Here are three preset modes you should better understand:

  • Portrait: How much the background blurs when using this mode depends on your camera and the distance between your subject and background – a minimum of 10 feet works best. This mode can be used for any subject you want to bring into focus while taking the background out of focus.
  • Landscape:(called “Infinity” on some cameras): This is the mode depicted by the mountain peak or figure 8. You can use this for any picture where you want everything in focus like landscapes, cityscapes or a picture of your garden. And for shots of breathtaking vistas, try framing them in a panoramic picture frame to make your images really stand out.
  • Macro: This mode, depicted by the tulip, opens  the camera’s aperture extra wide so that you can take extreme closeups without the blur caused by not enough focus. Depending on your camera, you’ll be able to get anywhere within an inch to a foot of your subject. When preparing to take pictures outdoors of things like flowers, keep in mind that due to the slower shutter speed, even the tiniest movement of a petal can cause blur. Also remember to focus on the part of the subject that you want most in focus, whether it be a butterfly’s wing or a caterpillar’s eyes.

Just applying this knowledge can help you produce some beautiful photographs that you’ll be proud to display in a gallery picture frame on the wall.

Photography 101: The Brief History of the Photograph

Wednesday, February 17th, 2010

In these modern times, cameras are everywhere. Whether it’s a tiny digital you keep in your pocket or a medium format monstrosity you use for a hobby, cameras have become an integral part of human life. With that in mind, let’s take a ride down memory lane and look at where modern photography came from and what it’s meant to our civilization.

One of the most amazing things about photographs is how heavily we depend on them to record our history and tell our stories, considering the fact that chemical photography is a relatively new science. Just think of how many old family photos you have displayed in your home in antique picture frames or old handmade wood picture frames?

The first permanent photo was created as recently as 1825 using pewter plates and a substance called “bitumen,” and later photographs were printed on glass. Paper didn’t actually become common until around 1888 thanks to the innovations of George Eastman.

In 1901, the Kodak Brownie camera was introduced to the public. This was the first time that photography was so easily accessible to the public, in terms of ease of use and cost. It was during this period of time that film developing really took off as an industry. It’s incredible to think that something like getting film developed or emailing digital images, which we take for granted today, was a completely new concept just 100 years ago. The modern SLR camera has only been around for about 80 years and during that timeframe it’s construction hasn’t changed much.

While black and white photography hasn’t changed much since the early 1900’s, color film has experienced dramatic advancements over this brief period of time. Though color photography had always been pursued by early photographers, color film and printing didn’t become widely accessible until well into the 20th century. Kodak’s “Kodachorme” was introduced around 1935, but would be a while before it would become commonplace. One interesting thing about color film advancement is looking at how black and white film is still in wide use despite the introduction of color photographs; how many people do you know that still have a black and white television?

Of course, no discussion of photo history would be complete without discussing the digital revolution. This technology, which is part of our everyday lives, has only been used for about 15 years. The first “megapixel” sensor wasn’t even created until around 1986, and now it’s one of the most common technical words in our vocabularly. Though digital photography hasn’t changed much about the way we take pictures (point and shoot), it has had an immeasurable impact on our ability to share our photographs with the world.

Photography is the way in which we document our lives and display them in picture frames in our homes and offices for all to see. A picture can be as simple as remembering a birthday party or as important as increasing awareness about a conflict on the other side of the world. They help add weight and emotion to the words of reporters as well as preserve our history for generations to come. Every picture we take is living proof of human achievements, relationships, strengths, and weaknesses.