Posts Tagged ‘Photography’

Finding the Top-quality Wedding Photography for Your Wedding Day

Tuesday, March 9th, 2010

Wedding photography is quite an issue when you are preparing for the big day. Many people don’t know whether to hire a pro or ask someone from family or friends to take up the pretty challenging photo shooting tasks. Here are a few tips that may help you decide what to do about wedding photography. Make a shot list, by thinking what you would like to have captured on that particular day. Family and couples photos are predominant in most cases. Everybody wants to take a photo with the bride and the groom, and wedding photography services can satisfy the customers’ requirements better than anyone.

The family shooting part could be very stressful; there is a predominant festive spirit and people move chaotically about the place. Group wedding photography can be better organized if you ask someone to play the part of family photo coordinator. Everybody can get back to the party if you round up the family and keep moving from one photo to another. Wedding photography will take you to different locations, and the photographer should be familiar with them all.

Sometimes, tests are included in the service and pictures can be taken on the spot in order to see what they would be like for the big day. Planning is everything! Weather can play you nasty tricks, which is why you should have a backup plan for the wedding photography. Then, don’t forget to charge the batteries for the camera, take blank memory cards and get an itinerary of the full day in order to make an idea of what happens with every step of the way. Such careful planning helps a professional photographer a lot when it comes to meeting the clients’ requirements.

The work style of wedding photography should be discussed before contracting one photography service or another. The number of shots, the objectives they have in mind, the details that the couple want covered should be clearly analyzed and established. A good service will make use of two cameras at least, so that shooting can be performed at wide or short angles depending on the needs. Hire more professional photographers if you plan a very big event. Results can be truly amazing if you know how to cover everything.

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How It Happened: Brief but Glorious History of Glamour Images

Tuesday, March 9th, 2010

The art of Beauty Photography has come a long way from its very appearance to what we can see today. Like any other genre of photography, it witnessed some dramatic changes, withstood many cultural revolutions to finally emerge in its present state.

I would like to take you on a journey from the birthplace of Glamour Photographs to nowadays, and then take a sneak peek at the possible future.

Childhood. As to the starting point of the history of glamour images - nobody is certain. Some seek the roots in Paris of 1930’s, where so-called “french postcards” were sold in abundance - others deem Victorian photography and its gurus to be responsible. There are even people who seek the roots of glamour images in Renaissance and Baroque. Franskly speaking, the birth of glamour photography cannot be discovered with any degree of certainty. What I think is that the most likely period in which glamour photography was born is 1920’s and 1930’s, which were quite a vibrant time in terms of arts and culture. Also, it is from the first half of 20th century that the history of classic glamour pictures can be traced.

Glorious 50’s and Onwards. After World War II, glamour images reached the apex of their glory, closely followed by controversy and outrage. Shining star of Betty Grable was in zenith ever since pre-WWII time; in 1953 Marilyn Monroe emerged on Playboy’s cover and led glamour photography from darkness of controversy and public outrage into the light of recognition. There were also Pamela Green and others helping to bring this young art to its feet and conquer the world-wide audience.

Dawn of Digital Era. Color wasn’t the only achievement that glamour pictures acquired - they turned into something more creative and provocative. Hope Talmons and Dita Von Teese gave way to Heidie Van Horne, Bernie Dexter, Lucy Pinder and others. As it happened, film gave way to digital photography. It improved technical side of the process and altogether simplified it beyond measure. An amateur in possession of DSLR could potentially become a glamour artist. Combined with World Wide Web, a real army of both gifted artists and usual dabblers emerged in the online world.

Are you Afraid of 3D? Finally, nowadays we face a new era, when 3D rendering easily re-creates that very glamour that we are so striving to deliver. This new form of art attempts to challenge the canons of glamour pictures. However, it is my firm belief that no computer-rendered beauty can ever substitute for genuine model, real lighting and sincere artistry. If this is a struggle of old and modern, my side is with the former.

I feel optimistic about the future – oils, film and digital have found their admirers and seem immortal. Artistic 3D may join these ranks, and so may whatever comes next. It is not technology that is behind each glamour picture – it’s the soul, the inspiration and the dedication: that of photographer and the model. No real photographer ever forgets this - and I’m sure that neither will you.

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Top 5 Reasons to go Digital vs. Film

Wednesday, March 3rd, 2010

One thing I discovered during my experience with digital photography is that it is very well suited for the portrait photographer. Why is it that they don’t jump on the digital band wagon? Many commercial shooters have known about and mastered the use of digital in their business’s for far longer than the portrait photographer.

My thought is that possibly they are afraid? Afraid of the learning curve and afraid that the quality just isn’t there unless they spend an ungodly amount of hard earned cash on some scary looking gigantic array of confusing and awkward, let alone “how am I going to learn how to use this stuff” equipment.

Truth is, you can easily get away with as little as a 5 megapixel camera. Don’t fear that DSLR’s create lower quality images, I’ve seen amazing work over and over with fantastic results. Yes, even if you have only a 5 or 6 MP camera.

There are many reasons, here are 5 good ones.

1- Service

These days a real camera repair shop is very hard to fine and service for film cameras is evaporating even more rapidly. Most camera stores will just send your camera to the manufacturer and then charge you more than the flat repair rate that you would get from Sony, Canon or Nikon etc. yourself. If you look online you can still find a real digital camera repair shop including ones that specialize in digital SLR camera repair and charge much less than the $250-300 flat rate repairs that the manufacturers offer.

There are many repairs that the consumer can do themselves including replacing battery doors, memory card doors and parts like the zoom switch. There are plenty of people who want to repair their own camera and replace the LCD screen or lens, but many prefer to leave the repair to a professional service instead.

The real problem with finding good Canon digital camera repair for example is lack of knowledge. Most any store you go to and ask about repair will tell you to throw the camera in the garbage and buy a new one. A retail store has no idea that there are actual affordable camera repair options available, including parts for the do it yourselfer! A couple simple searches on Google will go a long way to help you find a reputable repair shop for your Canon digital camera repair.

2- Quality

The quality of images captured with a high quality lens, properly exposed and well posed is more than enough, even if you shoot JPEGS. Yes, JPEGS. More than 90% of the photos I take are shot in JPEG instead of RAW. Why would anyone in their right mind shoot in such a “low quality” mode? The answer is simple: It works.

Portrait photographers don’t always need super sharp high resolution photos. If they have in the past, they’ve always degraded the image through retouching and other means. It’s ironic if you think about it? You can still shoot in RAW mode if you wish, but it isn’t really needed.

3- Control

People want their photos fast. We are living in a drive-through culture and every minute counts. Even a small studio can create a slide show of the clients session within half an hour of taking the pictures. Clients love it. Customers get the results instantly. The client is already in the studio ready to see the images, and ready to spend, so sales go up. Their is ample evidence that when you show the images sooner, and you create large projected images, which is a cinch with digital, sales go up. Using a DSLR it gives portrait photographers greater control over the sales flow and this means and increase in profits.

4- Retouching

Let’s face it, people want to look good. What used to take hours and whole lot of aggravation with spray booths, smelly and dangerous lacquers, is now possible with absolute ease. Farming out all retouching took weeks and sometimes months to get back and we incurred huge retouching bills.

Not to mention the loss of control I had over the retouching aspects. It was up to the subjective interpretation of the retouching artist to enhance the images the way I wanted them retouched. All the time spent retouching photos in the past has been replaced with only minor Photoshop knowledge and much less time. In mere minutes. With absolute astounding results. This ultimately translates to satisfying a basic need that needs to satisfied in our clients, their vanity. Customers want to look good and they want to see the results right away.

5- Innovation

I could go on for days when it comes to what new products, ideas, services, sales processes, packages, etc, etc. . . I have created due to using a digital camera instead of film.

Suffice it to say for now that I am excited and alive again with passion about my photography and about the possibilities. When you apply the power of digital, and get a handle on it in your workflow, you can create new and exciting products like never before.
I’ve seen it and experience it every week in our busy little small-city studio. The proof boils down to the quality of the product, which is shown by your net profits?

After all, we are in business first, and creative artists second, right? We are in business to make money and survive. We need new and exciting angles, ways to stay afloat, so we can pay our bills, keep the bankers happy and provide for our families. No one can predict how digital photography will ultimately evolve, but my bet is with it all the way.

Anyone remember when color film and paper was introduced as a mainstream commodity? I don’t, I was just a wee lad, but I heard stories about the many studio owners closing their doors and packing it in because they didn’t want to keep up with the demand and latest craze that color film and color paper had created.

I have always been a fan of photography and shot many rolls of film over the years. I never thought I would switch to digital, but once I gave it a try I was sold and haven’t looked back.

7 Tips For Creating Artistic Glamour Images

Sunday, February 28th, 2010

Human body has always been a popular theme to depict in fine arts. But how does one make it look artistic rather than vulgar? We will now investigate a little about how a glamour artist can accomplish mastery on this delicate subject.

Nude portraits are not about our physical desires – they are all about art. They may be rather bold or provoking or sexual, yet they provoke thoughts rather than carnal excitement and raise emotions much subtler than plain loathing. This is all theory though – to hell with it, it’s high time to see how it is done in practice!

I have prepared 7 must-read tips & tricks for you to use and build up proficiency in matters of nude Glamour Photos - as well as motivate yourself properly.

  • It is important to feel the border between artistry and vulgarity: as a photographer, you need to pursue the former, not the latter. Make emphasis on body shapes and texture. Unless you know what you’re doing, refrain from depicting genitals - not many photographers know how to make them look appropriate on a nude glamour portrait. Rely on your artistic taste to decide what will look great and what should be avoided - it is a more reliable criterion than strict rules of glamour photography;
  • Don’t overload your model with trinkets and jewelry – when it comes to nude photography, human body must dominate the shot. To create an impression of glamour and elegance, you only need something pretty and sophisticated to complement the composition - but not to draw the viewer’s attention away from your model;
  • For practical purposes one should always avoid using so-called “hot lights” in a studio. Cold lights consume less electricity, create less heat and prove to be more flexible when it comes to studio lighting. In order to acquire more subtle light, use soft-boxes. In fact, softer lighting always contributes to the atmosphere of your nude portraits, so don’t disregard with this opportunity;
  • Watch out for the proportions: shooting from too high or too low might make your model look either a long-legged giraffe or a humpty-dumpty. You don’t want any of that, do you?
  • Get inspired. Different poses, lighting angles or backdrops and accessories will certainly deliver you several great variations on the same motif;
  • Can’t you forget that your camera has its limit of exposures and you have the limit of time? I mean it - to call your session successful, you need lots of material to look through. Even hardcore glamour photographers make some several thousand pictures in one studio session – so they could later pick really astounding images;
  • Establish a connection with your model. She is not a “main character” of your shots, but the one who plays a vital part in the process. She is not simply posing nude but co-creating. If your model feels uncomfortable, you won’t get anywhere – even if you’re Helmut Newton!

Shooting nude portraits is not easy - as well as being into Beauty Photography. Yet you can achieve a lot if you keep practicing and pushing on. As they say, with one step you can start a trip of thousand miles! In the case of glamour artists one flash is enough.

More On Glamour Photography

Digital Camera Repair #2 Problem? Broken Lens

Sunday, February 28th, 2010

Digital camera lens repair is as common as LCD repair, but it’s #2 on my list because it’s harder to repair a digital camera lens and there are so many different types of lens problems whereas a broken LCD is a broken LCD no matter how you look at it.

Basic Lens Care Tips:

- Do not leave the batteries in your camera in the camera bag. The power button can be pressed accidentally causing the lens to extend and get jammed because it cannot open properly inside the bag.
- Try not to drop the camera with the lens extended.
- Do not attempt to pull or twist the lens barrel if it’s stuck, it’s not going to fix it.

I would have to write a book to fully explain lens problems fully (hmm.. what a great idea!) so I will try and keep it simple and informative.

The lens is made up of many different parts… Let’s start with the several pieces of glass referred to as the lens elements. The outer lens element is prone to being scratched and scuffed, and usually has a special coating on it that you DO NOT want to clean off with isopropyl alcohol (rubbing alcohol), or Windex or something similar. Nothing to worry about if it’s not there, it’s not a big deal. Try to always have a clean lens (how do finger prints get on the glass anyway??) and scratch free.

The inner-most lens element is responsible for the fine focus and resides directly in front of the CCD. When you press the shutter button half way down to focus, this part moves forwards and backwards till it’s in the correct position and your image is in focus. You won’t be messing with this part of the lens… unless you feel like removing the lens from the camera and then tearing down the lens to get at it’s ‘guts’. It’s kinda fun the first time, but uh… Good luck putting it back together properly. The tearing apart stuff is awesome, the putting it back together is a drag!

The lens has two small motors with their own gears that connect to the two main parts of the lens. The larger motor drives the lens barrel in and out when zooming. The smaller motor drives the fine focus element mentioned above and controls the focus. If you get ONE GRAIN of sand in these gears, they will jam and the lens will “error out” as we like to say. Open it up and clean it out if you like, but it’s not easy. Typically the main motor of the lens has 5-6 different gears that must be set and aligned properly to function. But hey, your lens is already jammed, why not see how it works, right?

Then there is the CCD, “charge-coupled device” which translates the light that enters the lens into a digital signal that the camera can record.

There was a very large CCD recall for digital camera lens repair over the past few years that covers many manufacturers like Canon, Fuji and Nikon and not just Sony, but Sony provided the CCDs to many other manufacturers for their cameras so they do have a large amount of defective cameras on the list themselves. The defective CCD’s cause the camera to take solid black photos, or purple/pink “dripping paint” photos, or they have repeating white horizontal or verticle lines on the images. If your camera does this, call the manufacturer and tell them you want a repair under the CCD recall no matter how old your camera is! IF it’s on the list, you might get your camera repaired for free.

Got spots on your images that get bigger and smaller as you zoom in and out? Usually there’s a spot of dirt on the CCD unit. You will need to remove the lens and then remove the CCD from the back of the lens and clean it off. Don’t lose the gasket that goes around the CCD, don’t get any other dirt inside the lens and don’t leave any fingerprints! Tall order I know, sorry, I’m demanding. =)

Let’s see… what else? Your lens is part way out, stuck at an angle because the camera was dropped while turned on. Now please read that carefully; the lens must be stuck part way out or all the way out, and one section of the lens MUST be stuck at an angle. The lens must not move freely at all for this section to apply, and you may follow this advice AT YOUR OWN RISK. The following repair trick works, but I am not responsible for your actions or anything you do to your camera.

Ok, it’s stuck at an angle and you want to try and repair your camera lens yourself. No problem.

Hold the camera with the angled part of the lens resting against the edge of a table, and the rest of the camera hanging over the side. Do not place the camera facing down with the “Canon Zoom Lens…” metallic front section down flat on the counter. The round part of the lens barrel is what we want on the flat surface of the table. Now… here is the tricky part… press the angled part of the lens back into alignment by pushing down on the lens on the edge of the table. Put your fingers on the LENS below the angled part to support it and press firmly but still gently (how do I do that? I don’t know.. you just do it) and the lens will either POP!! back into place and work perfectly or it won’t budge and no harm will be done, -OR- one of the “guide pins” that run inside a small track in the lens barrel will break off and you have just destroyed the lens.

I told you it was at your own risk!! Camera repair is great… right?

Ok, how are we feeling about lenses? I think we have covered most of the basic problems, and possible solutions. You may buy a lens to repair your camera in several ways; the most expensive would be to call the manufacturer as they typically will charge $150 or more for the lens assembly.

Do a Google search for “digital camera repair” and you will see at #1 the only site that has affordable digital camera repair and DIY parts… Darntoothysam.com!